Interview with Nicolas Horvath
We are honored to welcome the extraordinary pianist Nicolas Horvath as one of the headlining performers for the Opening Night Concert of the 2nd edition of the Piano Revenge Festival on April 14th, 2026, at the Théâtre de l’Île Saint-Louis in Paris. A fearless explorer of contemporary and avant-garde piano music, Horvath has dedicated his career to pushing boundaries – whether through his mesmerizing interpretations of Philip Glass, his collaborations with groundbreaking composers, or his own bold artistic vision.
In this exclusive interview for Piano Revenge MAG, Nicolas shares personal reflections on his musical journey, his creative philosophy (including a surprising mantra from an unexpected icon), and what audiences can expect from his explosive 20-minute set at the festival. He also discusses his hopes for the future of piano music and why he believes in the mission of Piano Revenge – a festival that champions the very sounds he has spent decades defending.
Join us as we dive into the mind of an artist who refuses to conform, embraces the unknown, and continues to inspire a new generation of musicians and listeners alike.
When and how did you realize your entire life would be tied to music?
After returning from the Aspen Music Festival & School at age 17.
Which composer has most influenced your musical imagination?
Many have shaped me, but if I had to name one – Philip Glass. His repetitive structures opened a universe of hypnotic beauty, showing me how minimalism could evoke profound emotion.
What is your guiding creative motto?
Right now, I have a quote taped above my desk from the greatest philosopher of pop culture: “Ego is not your Amigo.” And yes – that’s from the legendary Chuck Norris!
What do you hope to express in your performance at the festival? What will your program consist of, and why?
I struggled to decide – 20 minutes is terribly short! I wanted to mix my own works with pieces by Stéphane Paut or Vordb Na Iidr, but it felt too fragmented. Instead, I’ll keep it simple: a fiery selection of Philip Glass’s Études. Think of it as 20 minutes of fireworks.
What are your current goals or upcoming projects?
Musically, there’s much in the works – but it’s too early to share. My agent and labels will decide. I have hundreds of unrealized projects in my drawers.
Personally? My biggest challenge is being a good father to my son. That’s the real masterpiece.
How do you see the future of piano music?
The future is bright! A new generation has claimed the piano, flooding social media with inventive covers. What more could we hope for?
What does Paris mean to you? Why did you accept the invitation to the festival?
I no longer have deep ties to Paris – I spent 20 years there for studies and concerts, but I try not to cling to places. What drew me to Piano Revenge is its mission: supporting the very music I’ve fought for over 20 years, back when few believed in it. I’ve tried (and failed) to launch similar festivals – I lack the organizational gene! So I’m thrilled this one exists. It had to happen.
